Rosae

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

Alexander James

2010

‘Mercedes’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Edition of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘Chanel’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Editions of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘Apple’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Editions of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘Louis Vuitton’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Editions of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘Nike’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Edition of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘McDonalds’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Editions of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘VolksWagon’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90 cms Edition of 10

2 Artists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

Alexander James

2010

‘Fendi’

C-Type print, mounted to polished aluminum, 'snug' framed in American walnut.

Dimensions: 120 x 90cms Edition of 10

2 Aritists Proofs

The red rose is a symbol of unrelenting love, here juxtaposed against a deep dark void. These images are not intended as an homage, but instead act as a social commentary on how we ourselves are drowning in a society that is dominated by a reverence towards branding and celebrity.

These images were all shot underwater working with the subtle distortions of light from the waters own wave energy. They were captured 'in camera' without the use of post production, either traditional or digital.

To request the series catalogue contact Catalogue@DistilEnnui.com

All Rights Reserved © 2000 - 2013 Alexander James, Distil Ennui Studio™

All Rights Reserved © 2000 - 2013 Alexander James, Distil Ennui Studio™