For me Vanitas is more relevant today than it was 400 years ago, with issues of pollution and commercial morality within a decaying natural world.
Ecocide Ambassador speaks out as the United Nations Climate Change Conference COP27 lose their supporters ethical respect by allowing Coca-Cola to be their main sponsor.
This piece evolved from attempting to 3d model sea corals.
this design has been on my desk for some time and is now finally being realised in an elegant repeatable and modular way
The scene of a young Christian woman with her hands bound thrown into the Tiger river.
astonishing winter warming temperatures recorded around the globe.
How after returning the war Jasper started painting nearly 100 flag paintings
The scene depicted is from Shakespeare's Hamlet, Act IV, Scene vii, in which Ophelia, driven out of her mind when her father is murdered by her lover Hamlet, falls into a stream and drowns:
Some time ago I began working on trying to find a solution to a problem that has been accelerating over the years with the continual bad behaviour of poorly educated tourists.
New works prompted by America deciding to leave the Paris Agreement becoming a nation of climate deniers.
Vanitas was primarily known as a popular Dutch art genre of the Baroque period c. 1585-1730 having its renaissance in the mid 17th century.
All new works will be NFC certified with a studio embedded NFC (near field communication) tag using blockchain anti-counterfeit encryption.
new data released that is alarming climate scientists globally
Circularity focuses on resource cycles, while sustainability is more broadly related to people, the planet and the economy. Circularity and sustainability stand in a long tradition of related visions, models and theories.
A very frank and direct conversation about living and working as an artist in Russia.
Famous experimental artist Alexander James Hamilton arrived in Krasnoyarsk to host 12 young Siberian artists in his studio.
Curator Oleg Deetz states 'The result of the observation was a simple conclusion: to not hold this exhibition would be a crime against photography itself'.
I return to the original location for the 2014-2015 Oil + Water series on the banks of the Kama river.