a letter from the collections founder Donna Spaan.
how to use the macro function to your advantage
I can barely to imagine a world without soft drinks of one kind or another, but at what cost.
these two pieces sold at the Dark Vat public exhibition they are titled 'Dolloris' & 'Dollarina' both are collaborative works with graffiti artist Andrey Shmaliy.
why it is important to protect the artists oeuvre and future estate benefactors, as the studio turns its back on the gallery formula and commits to self representation.
arts correspondent Jess Rayner publishes article on 'Underwater Installation Art' the importance of marking him out as 'an artist at the forefront of contemporary photography'
Palaver Rhoeas poppies were so willing to take on this underwater process.
A memorable day shooting the dancers rehearsing at Krasnoyarsk Choreographic College. Using time as a mechanism to create the scene in layers.
Jessica Phillimore (nee McBride) discusses Art and Investment with Family Office Magazine
unnatural event as another commercial ECOCIDE incident on Russian east coast killing 95 percent of seabed life
The underwater photography of Alexander James BY CHARLOTTE SIMMONDS PUBLISHED IN NEW STATESMAN 03 MAY 2013 12:31
One simple change can reduce global carbon emissions by 15%, carry a 'Life Can' and filter your daily drinking water and kill the bottled tap water industry overnight.
TV Program El Pueblo Más Bonito de Castilla-La Mancha 2020 as CMMedia visit Renaciendo
'fear is a darkroom where dreams set sail in a caustic sea' quoted in 1995.
a rare bucket list opportunity, not to be missed
learning from the past always help signal the restoration most suited for today.
a second look inside the Dark Vat and a glimpse of an exhausted Alexander; clearly the most difficult residency to my experience. Hosted inside an abandoned photographic paper factory with 12 young Siberian artists.
new study with confirmed data
In a world of ever condensed trends and obsession with the transient – Instagram anyone? – it is refreshing to see and talk with an artist who is, bluntly, comfortable enough in his own skin to not give a shit.